Canfield: Ragtime Sonata after Joplin for Alto Saxophone and Piano Instrument_Flute Schumann himself played through them

Schumann himself played through them with the violinist Ruppert Becker (1830-87) on January 13 and February 13

Hedwige Chretien (1859-1944) was appointed to a position as music professor at the Paris Conservatory in 1889

just as the lyricism in the alto saxophone sonata and "Fisherman of the Fragrant Harbor" reaches full bloom in the tenor saxophone sonata's third movement

they will be introduced to an expanding range (high notes in particular) and all the major and minor keys

Canfield: Ragtime Sonata after Joplin for Alto Saxophone and Piano Instrument_Flute Schumann himself played through themCode: JP4036 ISMN: 979 0 3019 0002 4 Each of the three movements of this sonata for alto saxophone and piano is influenced to a greater or lesser extent by the ragtime form and style. Although unlike some of the composer's compositions in his "after" series (which now include works written in the style of Vierne, Brahms, Gliere and others, mainly for instruments that have little original romantic music), this work isn't necessarily intended to sound